Historical realism : modes of modernity in Indian cinema,...

Main
Historical realism : modes of modernity...

Historical realism : modes of modernity in Indian cinema, 1940-60

Moinak Biswas

0 / 0

آپ کو یہ کتاب کتنی پسند ہے؟

فائل کی کوالٹی کیا ہے؟

کوالٹی کا جائزہ لینے کے لیے کتاب ڈاؤن لوڈ کریں

فائل کی کوالٹی کیا ہے؟

This is an unpublished doctoral thesis. It is extremely valuable for researcher working in the field of Indian Cinema.

سال:

2002

زبان:

english

فائل:

PDF, 11.17 MB

IPFS:

,

english, 2002

آن لائن پڑھیں

میں تبدیلی جاری ہے۔

میں تبدیلی ناکام ہو گئی۔

آپ کو دلچسپی ہوسکتی ہے

Samik Bandyopadhyay, Dhruba Gupta, Biren Das Sharma — Indian Cinema: Contemporary Perceptions from the Thirties

Firoze Rangoonwalla — 75 Years of Indian Cinema

Heidi Pauwels — Indian Literature and Popular Cinema: Recasting Classics (Routledge Contemporary South Asia Series)

K. Moti Gokulsing, Wimal Dissanayake — Routledge Handbook of Indian Cinemas

Ashvin Immanuel Devasundaram — Indian Cinema Beyond Bollywood: The New Independent Cinema Revolution

Devapriya Sanyal — Gendered Modernity and Indian Cinema. The Women in Satyajit Ray’s Films

Santosh Kumar Biswal, Krishna Sankar Kusuma, Sulagna Mohanty — Handbook of Research on Social and Cultural Dynamics in Indian Cinema

Omar Ahmed — Studying Indian Cinema

Bapu Vatave — Dadasaheb Phalke, the Father of Indian Cinema

Renu Saran — History of Indian Cinema

Ritwik Ghatak — Cinema and I

Ahmed & Omar; — Studying Indian Cinema

Chidananda Dasgupta (চিদানন্দ দাশগুপ্ত) — Satyajit Ray: An Anthology of Statements on Ray and by Ray (Film India Series)

Ashish Rajadhyaksha — Ritwik Ghatak: Arguments/ Stories

Ashish Rajadhyaksha — Ritwik Ghatak: A Return to the Epic

Maitreyee B. Chowdhury — Uttam Kumar and Suchitra Sen. Bengali Cinema's First Couple

Chris Berry; — Chinese Films in Focus II

Chris Berry — Chinese Films in Focus II

Partha Chatterjee — INDIAN CINEMA: Then and Now

Moinak Biswas — The Couple and Their Spaces: 'Harano Sur' as Melodrama Now

M. Madhava Prasad — Ideology of the Hindi Film: A Historical Construction

Berry Ph.D., Christopher, Farquhar Ph.D., Mary Ann — China on Screen: Cinema and Nation (Film and Culture Series)

Satyajit Ray, Sandip Ray, Shyam Benegal — Satyajit Ray on Cinema

Majumdar, Rochona — Art Cinema and India’s Forgotten Futures: Film and History in the Postcolony

Satyajit Ray (editor); Sandip Ray (editor); Shyam Benegal (editor) — Satyajit Ray on Cinema

Rochona Majumdar — Art Cinema and India’s Forgotten Futures: Film and History in the Postcolony

Ritwikkumar Ghatak; Chilka Ghosh; Śibāditya Dāśagupta; Sandīpana Bhaṭṭācārya — Ritwik Ghatak, face to face : conversations with the master, 1962-1977

Madhuja Mukherjee, Kaustav Bakshi — Popular Cinema in Bengal

Keya Ganguly — Cinema, Emergence, and the Films of Satyajit Ray

Travis Workman — Political Moods

Travis Workman — Political Moods

Keya Ganguly — Cinema, Emergence, and the Films of Satyajit Ray

Wimal Dissanayake (ed.) — Melodrama and Asian Cinema

Bhattacharya, Rinki;Roy, Bimal — The man who spoke in pictures, Bimal Roy

Andrew Robinson (editor) — The Apu Trilogy: Satyajit Ray and the Making of an Epic

Andrew Robinson — Satyajit Ray: The Inner Eye: The Biography of a Master Film-Maker

Chris Cagle — Sociology on Film: Postwar Hollywood's Prestige Commodity

Chris Cagle — Sociology on Film: Postwar Hollywood's Prestige Commodity

Jonna Eagle — Imperial Affects: Sensational Melodrama and the Attractions of American Cinema

Bhaskar Sarkar — Mourning the Nation: Indian Cinema in the Wake of Partition

Bhaskar Sarkar — Mourning the Nation: Indian Cinema in the Wake of Partition

Andrew Robinson — Satyajit Ray: The Inner Eye: The Biography of a Master Film-Maker

اہم جملے